A.U.S.A. is an American sitcom television series that aired in 2003 on NBC, starring Scott Foley.

A.U.S.A. is an American sitcom television series that aired in 2003 on NBC, starring Scott Foley.

The Wizard of U.S. is a social satire - an animated documentary about emotions, based on themes from the popular American novel "The Wizard of OZ", in order to illustrate how Los Angeles makes the American Dream come true. The film describes the observations, dilemmas and adventures shared by all of those, who just like Dorothy - the main character-want to be "the voice of their generation" and try their luck in Hollywood. This is the hyper-realistic America, with all its attractions, such as living "at full capacity", the enthusiasm and embarrassingly white smiles of "the local people" seen through the eyes of a "stranger" from Europe. Using the factual interviews with the inhabitants of Los Angeles, observing their everyday life, habits and behavior, after three years of having survived in L.A. the director reveals the thrills and absurdities that govern the world of the big stakes and unleashed dreams the way it is all perceived by an immigrant from Europe.

Palmerstown, U.S.A. is a drama series. It centers on the lives of two 9-year-old best friends, one black and one white, growing up in a small Southern town during the 1930s.

Palmerstown, U.S.A. is a drama series. It centers on the lives of two 9-year-old best friends, one black and one white, growing up in a small Southern town during the 1930s.

A street-gang leader challenges a handsome young skater in a championship contest at the local roller-disco rink.

A street-gang leader challenges a handsome young skater in a championship contest at the local roller-disco rink.

The Sunset Blvd. of underground cinema, and a suitably ambivalent retrospect on the star-game casualties of New York's upper depths, with Patti Astor statuesquely hysterical as a 20-year-old Norma Desmond, made up to recall Edie Sedgwick and surrounded by Warhol's lost children. We've been here before, but without the hindsight: a camera cruise along a hustler's meat-rack, kitchen-talk over cold canned spaghetti, Taylor Mead grimacing in a spastic dance, the silent stud a sullenly passive observer. Mitchell's ear for campy native wit and eye for figures in a loft-scape happily keep at bay the otherwise contagious NY ennui.

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